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- Aug 18, 202690% CONFIDENCEfrom the source
Taylor Swift Plays the Grammy Museum's Icon Sessions
- Taylor Swift took part in the Grammy Museum's Icon Sessions in Los Angeles on 18 August 2026, a 20-year retrospective presented by the Recording Academy's Songwriters & Composers Wing[1]
- At the same piano she played on the Eras Tour, she performed a mashup of 'I Knew It, I Knew You', 'August' and 'All Too Well', songs she said are tied together by memory[1]
- In conversation with Recording Academy CEO Harvey Mason Jr. she said she is 'making music because I'm playing for the fans'[1]
- She recalled that 'I Knew You Were Trouble' began as a 'sad piano ballad' until Max Martin and Shellback suggested a dubstep drop[2]
- The 48-minute session and performance were posted on YouTube on 24 August[1][2]
References 288% CONFIDENCEOverall confidence: 88%How well the pin's source and references back up its dates.Weighted average of how firmly 2 references, the source included, support the pin's start and end times; a reference counts half as much for every 180 days older than the newestShow all pins at 75% confidence or better
The first entry is always the pin's source. Overall confidence is a weighted average of how firmly each reference supports the start and end times used above; a reference counts half as much for every 180 days older than the newest.
- [1]90%yahoo.com/entertainment/music/articles/watch-taylor-swift-performs-mashup-130112718.htmlyahoo.com· Posted Sep 28, 2026· Starts Aug 18, 2026 ✓· 53% of score
UPI via Yahoo, 25 August 2026: Swift performed the mashup 'at the event Aug. 18 in Los Angeles, a recording of which was released Monday on YouTube'.
- [2]85%Taylor Swift Recalls How 'I Knew You Were Trouble' Was Written as a 'Really Sad Ballad' in Grammy Museum Conversation Videovariety.com· Published Aug 24, 2026· 47% of score
The Q&A at the Grammy Museum in Los Angeles 'last week', moderated by Recording Academy CEO Harvey Mason Jr. as part of the museum's Icon Sessions; Swift said 'I Knew You Were Trouble' began as a sad piano ballad before Max Martin and Shellback reshaped it.[1]
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