La primera entrada es siempre la fuente del pin. La confianza global es una media ponderada de la firmeza con la que cada referencia respalda las horas de inicio y fin usadas arriba; una referencia cuenta la mitad por cada 180 días que sea más antigua que la más reciente.
Happened as dated, per polygon.com: "…the situation changes. Since the game’s debut in May 2023, it has returned to shelves briefly before…"
Wikipedia’s article says it was developed by Nintendo EPD for the Switch and describes the sky islands, the Depths, the five powers "Ultrahand, Fuse, Ascend, Recall, and Autobuild" and the four temples.
IGN's own title - "Breath of the Wild Sequel Is Officially Titled The Legend of Zelda: Tears of the Kingdom, Out in May," published the same September 13, 2022 day as VGC's report - corroborates the May 2023 release date, though the page itself could not be fetched to confirm wording.
Video Games Chronicle's September 13, 2022 report states Nintendo "officially revealed ... a May 12, 2023 release date" for Tears of the Kingdom, matching the pin's stored date exactly.
¿Falta algo o hay un error? Dilo con tus palabras: un enlace que respalde este pin, otra fecha de inicio o fin y por qué, o un dato que falta o está mal. La IA lo contrasta con las fuentes del pin, busca otras mejores y añade cualquier página que te dé la razón. Las fuentes del propio pin siguen contando más.
The Legend of Zelda: Breath of the Wild reinvented a 30-year-old series in a way we rarely see. After Skyward Sword offered a slightly more linear, story-driven campaign than most fans were used to, Breath of the Wild readjusted dramatically in the opposite direction. Suddenly you could go anywhere and climb anything in any order you wanted, and goodness gracious was there a whole lot to choose from.
There are plenty of fair criticisms to throw at Breath of the Wild, with common ones being its lack of traditional Zelda dungeons and items. But what’s truly impressive is how much it maintained the heart of a Zelda game even as it altered nearly every system around it. To a certain extent, Zelda has always been about exploration and choice, and Breath of the Wild simply leaned into and enabled those aspects of itself above all else, now making the world a place that would react to those choices as well. There’s just so much to see, so many people to meet and secrets to find hidden throughout this long-since devastated version of Hyrule.
In the 87 hours that it took me to beat Elden Ring, I was put through an absolute wringer of emotion: Anger as I was beaten down by its toughest challenges, exhilaration when I finally overcame them, and a fair amount of sorrow for the mountains of exp I lost along the way to some of the toughest boss encounters FromSoftware has ever conceived. But more than anything else I was in near-constant awe – from the many absolutely jaw-dropping vistas, the sheer scope of an absolutely enormous world, the frequently harrowing enemies, and the way in which Elden Ring nearly always rewarded my curiosity with either an interesting encounter, a valuable reward, or something even greater. FromSoftware takes the ball that The Legend of Zelda: Breath of the Wild got rolling and runs with it, creating a fascinating and dense open world about freedom and exploration above all else, while also somehow managing to seamlessly weave a full-on Dark Souls game into the middle of it. It shouldn’t be a surprise to anyone that Elden Ring ended up as one of the most unforgettable gaming experiences I’ve ever had.
When a game hits on a good idea, some developers are content to play it safe for the sequel, making a few refinements but largely stick to what worked the first time. That totally makes sense. But Mario + Rabbids: Sparks of Hope is not that kind of sequel; even though Mario + Rabbids: Kingdom Battle surprised us all with its smart XCOM-style tactics in Nintendo clothing, this followup maintains its best ideas but reinvents itself to the point where it immediately feels very different. It’s bigger and better in nearly every way, with a more freeform and customizable take on combat and an almost completely rethought overworld that’s much less linear and absolutely packed with puzzles. The story’s all over the place and the Switch can’t always handle everything smoothly, but it’s a fantastic game that can be played as either an enjoyable cakewalk or a deep, demanding tactical challenge, all while maintaining its zany sense of humor.
Picking back up in the post-Rabbid invasion Mushroom Kingdom, things immediately get even weirder when a giant manta ray from space arrives to cause trouble. The story is actually one of Sparks of Hope’s few missteps: the original’s trans-dimensional blending of Mario characters and goofball Rabbids is completely absurd, but it kind of makes sense in its own way. This time, though, the completely unrelated enemy spreads what’s effectively Ganon’s corrupt ooze with eyeballs from Breath of the Wild everywhere, and most but not all of her minions are also Rabbids for some reason? Also we have a spaceship for traveling between literal worlds? It makes Kingdom Battle look grounded in reality by comparison, which is something I never thought I’d say about that game. I wasn’t expecting deep lore or anything, but it’s kind of a mess. It does consistently have some pretty good jokes, though, so at least I was chuckling as I was scratching my head.
Here's everything you need to know about the next Final Fantasy game's story, characters, gameplay, and world.
Six years have passed since the last mainline installment in the decidedly not-so-final Final Fantasy series, making this one of the largest gaps between games in the series' 35 years of history. However, all that waiting seems to be for good reason. What we've seen from Final Fantasy XVI makes the game look like a high-fantasy epic combining the grandeur of older titles with the cutting-edge technology of newer games, making us hopeful that this next entry will be well worth the wait.
