Growing up as a child of the 90s, whenever I stepped into an arcade, I’d always do a walk around to see what they had before putting my quarters into any machines. This usually didn’t last very long because as soon as I saw a Teenage Mutant Ninja Turtles cabinet, I’d shout to my friends “They got Turtles!” and we’d rush on over.
It’s abundantly clear that the developers at Tribute Games share a similar love for the 90s TMNT beat-em-ups. Teenage Mutant Ninja Turtles: Shredder’s Revenge is nothing but unwaveringly reverent to the classic 1989 Teenage Mutant Ninja Turtles Arcade game, and more prominently, 1991’s Turtles in Time. Best of all, it transforms the arcadey quarter-munching design of combat into something much more skill forward while still maintaining the same button mashy appeal. Put simply, Shredder’s Revenge is a prime example of how to breathe new life into a classic arcade beat-em-up.
第一项始终是图钉的来源。总体可信度是各份资料对上方所用开始和结束时间支持程度的加权平均；资料每比最新的一份旧 180 天，权重减半。
Happened as dated, per ign.com: "…ng your progress. The whole game can be completed in about two hours, so arcade mode isn't as daunti…"
Wikipedia's Shredder's Revenge article lists the seven playable characters with their own "range, speed, and power" and describes Arcade and Story modes and Radical Mode.
Gematsu reports Shredder's Revenge "will launch for PlayStation 4, Xbox One, Switch, and PC via Steam on June 16", matching the pin's stored 16 June 2022 date.
PSU's own headline states "Teenage Mutant Ninja Turtles: Shredder's Revenge Gets PS4 Release on June 16, 2022", matching the pin's stored date, though the page itself returned a 403 error on this fetch and could not be independently verified.
有遗漏或错误吗？用你自己的话说明：能佐证此图钉的链接、不同的开始或结束日期及理由，或缺失、有误的信息。AI 会对照此图钉的来源进行核实，搜索更好的来源，并添加任何支持你说法的页面。图钉自身的来源仍然最重要。
A proper remake might be rising from the grave next year, but the festering corpse of Dead Space has come lurching back to life early in the form of The Callisto Protocol. This spiritual successor to the sci-fi survival horror series recreates the haunting blood-streaked hallways and space zombie-slaying hallmarks first established on the USG Ishimura back in 2008, and injects the gore with more awe than ever before thanks to some strikingly detailed splashes of blood and guts. Unfortunately, while the mutant dismemberment has never been more vivid, The Callisto Protocol’s shortcomings appear just as clearly. Occasional control annoyances, imbalanced combat, and a general absence of innovation result in a roughly eight-hour massacre that’s gratifyingly gruesome, but never quite as great as the series that inspired it.
I hold the Bayonetta series’ combat in such high esteem that I’d consider it in the top five or so combat systems of all time, right next to the Devil May Cry, God of War, Ninja Gaiden, and Batman Arkham games. It’s just incredible to look at, feels equally amazing to play, and is jam packed with opportunities for style and creativity thanks to the wide assortment of wild weapons at your disposal. Bayonetta 3 just further cements its legacy, strutting out with a surprising sequel in that it actually takes a lot of risks with changing up its established formula in an effort to revitalize a combat system that only slightly evolved between the first two games. Fortunately those risks pay off. Bayonetta 3 is an invigorated sequel with fresh new ideas that embolden its 13-year-old combat system, an impressive amount of variety throughout its 10 to 12-hour campaign, and more of that trademark sexy Bayonetta style that makes the series one of a kind.
At first I was afraid, I was petrified – I kept thinking "how could Respawn follow up on its outstanding Star Wars Jedi: Fallen Order?" But then I spent so many nights playing the sequel finding out how they got it right and Cal Kestis grew strong, and I learned how to get along. And now we’re back, in outer space… okay, okay, don’t leave! I’ll stop. The point is that with vastly expanded combat options, bigger, more open maps, vastly more abilities to play with, and enough collectable stuff to fill a Correllian freighter, Star Wars Jedi: Survivor is in many ways the Batman: Arkham City to Fallen Order’s Arkham Asylum. And much like the Arkham games did for Batman, nothing else convincingly captures playing as a Force user quite as well as this.
一场以猫为主角的迷人平台冒险，置身于一个值得探索的赛博朋克世界。
沉默的主角在电子游戏里并不新鲜，但《Stray》无疑把这一概念推向了一个有趣的方向。本作一半是平台跳跃，一半是传统冒险游戏，这个充满霓虹浸染机器人的赛博朋克世界，从你距地面仅一拃高的视角看去，变成了一座巨大的攀爬乐园。让你扮演一只普通猫咪的设想表面上或许有些傻气，但《Stray》借这个毛茸茸的载体，讲述了一个真正引人入胜的故事，途中还穿插着颇具娱乐性的动作场面。它并非所有想法都能稳稳落地，但从开场那几分钟的可爱瞬间起，那股温软的感觉就再也挥之不去。
与开发商 Supermassive 以往的许多作品一样，《采石场惊魂》显然是由热爱恐怖片的人、为热爱恐怖片的人打造的。从一开始，它就缓慢积累紧张感与氛围，不断要求你做出一个个小决定，引导这群随时可能惨遭杀害的青少年角色，让你渐渐投入其中。等到鲜血四溅时，每一个选择都像是这场滚雪球式灾难中的又一步，让人几乎无法放下手柄。然而，当我再次重玩时，却无法忽视《采石场惊魂》中有相当多的部分其实毫无互动性可言。作为 《直到黎明》的精神续作，它是一部更好的电影，却是一款更差的游戏。
故事讲述九名夏令营辅导员在夏末被困林中，不得不多留一晚，在回归各自生活之前，除了再开一场派对之外无事可做。树林边缘有什么东西正在跟踪他们（当然少不了这一出），而你的选择将决定这些辅导员中谁能活过这一夜——如果还有人能活下来的话。随着剧情推进，这一设定把三条相当教科书式的恐怖片情节层层叠加在一起，但看得出 Supermassive Games 在思考如何把它们串联起来时玩得非常开心。游玩过程中，你也许以为自己身处某一类恐怖片，实际上往往身处另一类。
鉴于2019年和2020年推出的 《生化危机2》 与 《生化危机3》 重制版品质出色，人们有理由相信卡普空在重塑《生化危机4》时同样会交出令人钦佩的答卷。即便如此，当我按下这款2005年传奇动作恐怖游戏2023年重制版的开始键时，仍未料到它会如此强势地让我双腿一软，把我头朝下摔进长达16小时持续不断的紧张与亢奋之中。这场彻底焕新的战役在几乎所有可以想见的方面都大幅超越了原作。西班牙乡村的舞台阴森感大幅提升，节奏被打磨得几乎没有一分钟被浪费，操作也经过现代化改造，让其标志性的动态射击机制真正大放异彩。18年来我一直在等一款能带来与《生化危机4》同样快感的游戏；结果发现，这些年我等的不过是另一款《生化危机4》。
When it comes to over-the-top roleplaying games, it’s hard to beat the bonkers worlds and stories I’ve come to expect from the Xenoblade Chronicles saga. With Xenoblade Chronicles 3, massive improvements have been made to combat, quest design, and the RPG sandbox, while retaining the absurd and awesome environments, and a laser-focus on great characters and an impressive (if convoluted) story. Of course, while this third entry evolves in some key areas that make the epic journey more consistently fun than the two mainline games that came before it, it also repeats some of the same mistakes, including sloppy writing, weak bosses, and graphics that often leave something to be desired. Even so, Xenoblade Chronicles 3 is already competing for the spot as my favorite iteration of this beloved series.
Historically, Splatoon’s single-player campaigns have focused on acclimating you to the waters of its much more frantic and churning multiplayer battle modes. Splatoon 3’s campaign — dubbed The Return of the Mammalians — starts in territory so familiar that I was initially worried I was about to spend the next several hours slogging through tutorials on fundamentals I’d learned two games ago. Thankfully, the rug was quickly pulled out from under me, leading to a brand-new take on the series’ hub world design mixed with some of the best ideas of Splatoon 2’s Octo Expansion. Splatoon 3 boldly let me decide on whether or not to blaze my own path toward any of its 70 bite-sized, inventive missions, and choose where to go next when exploring its fuzzy ooze-filled world. A lot of the enemies I found there were unchanged from previous Splatoons, but I had a great time navigating the large variety of objectives all the way to the campaign’s explosively satisfying finale.
Never mind the numerous necromorphs, the tortured torsos sprouting out of walls, or the terrifyingly towering space sphincter – the thing I was most scared of going into the Dead Space remake is that it wouldn't live up to my fond memories of the fantastically horrific 2008 original. After just over 12 hours spent stalking through the revitalized USG Ishimura I’m happy to report that of the many things to legitimately fear about this haunted space hulk, that was not one of them. This new Dead Space enhances the original in almost every way, using a Plasma Cutter to drop its ugliest appendages on the cutting room floor while preserving the essence of what made its distinctly dismemberment-heavy shooting so special, and grafting on welcome new character details in order to present its creepy sci-fi horror story in its very best light – and its most intimidating shadows.
